The inexorable descending bass reminded me so much of Koyanisqaatsi that I kept hearing bold trumpets in my head, so I added them in, for a laugh. If I ever finish this as a piece I think it will sound quite different, it won’t be so Philip Glass-like—which is kinda’ a shame, I very much like his music.
While pulling the piece together I had flashbacks to the electronic music I created when I was studying music—in my youth. So the artwork is a reference to a piece I created back then. It was a (quite theatrical) electronic music performance-piece involving myself and four friends dressed in black robes with white masks. An underlying soundtrack I’d created played over a loudspeaker system, they paraded boom-boxes around the audience blasting a series of electronic sounds (somewhat randomly) while I issued seemingly cryptic symbolic instructions from the front. It was deep, I promise 😉
I might use this little guy again, it certainly ties into that vintage irama symbolism.